Passion Pit is one of those electronic indie pop bands that have something for everyone. But in the end, can we really fault anyone for trying to be happy? If Manners was the naive, tortured debut and Gossamer was the beautiful magnum opus, Kindred is the matured, calmer attempt at contentment, even though it may be greatly stressed. However, the intense, overwhelming feelings of joy get redundant at times. Its clear in both the instrumentals and the vocals that Angelakos was in a better place when recording, and he’s even mentioned that in interviews. Kindred, overall, does sounds nice and focused.
But then, the heavily synthesized track “Ten Feet Tall (II)” follows, which does seem a bit unnecessary, considering that it alters the tone evoked before. In fact, I felt as if the album should have ended there.
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However, there’s still the effect of nostalgia, as heard in the stunning track “My Brother Taught Me How To Swim.” That effect is always a good thing to have in any album, regardless of genre, because it gives that sense of dimension.
It weighs down the listener in some places, and can be overwhelming. With so much positivity, there’s nothing to balance it out, and the album lacks a look into the other side. That may be the only grievance with Kindred, as picky as that sounds. Throughout the album, it’s apparent that Angelakos’s love of the eighties aesthetic is still a very real thing, but instead of focusing on the past, it looks towards the future in an overtly positive way that never backs down. “Looks Like Rain” is slow and mature, which seems to be the overarching tone to the rest of the album. “Where the Sky Hangs” almost sounds like a Toro y Moi release from it’s addictive funk beat and the wavering vocals, and moves relatively well into “All I Want,” a quirky, inventive ballad. “Lifted Up (1985)” (about his wife) and “Whole Life Story” are the “Take a Walk” and the “Carried Away” tracks of this album, considering that they’re the ones that sounds most like Angelakos’s signature saccharine sound. His wife is still one of his main inspirations, and that healthy relationship he has in his life has definitely added to his desire for happiness. Although it’s not as colorful and vivacious as it’s companions, Kindred still explores a new sort of feeling – one that sounds like a spiritual awakening, or even the notion that Angelakos is trying to be happier. It’s clear that Angelakos has succeeded some in dealing with the stresses and the diagnosis of bipolar disorder that he communicated throughout the years, and it’s definitely shown in this album. On first listen, Kindred sounds a little too happy, but as you listen to the rest of the album, it’s apparent that perhaps this was the intent. However, in Passion Pit’s third album Kindred, the music and the lyrics join forces to create a more optimistic feeling, and leaves the album sounding calm and homogeneous as a result of a newfound happiness. The sounds in Manners and Gossamer were a genius contradiction of emotions, and it was easy not to notice the constant sadness that ran rampant through the haze of joyous sound, and Angelakos was brilliant in hiding them. I didn't embed the songs because I think there is enough content loading in this post.Michael Angelakos of Passion Pit has always followed a certain method in writing his songs – underneath the upbeat, euphoric noise lies a crippling depression brought about by tumultuous relationships, substance abuse, and even mental illness. You can listen to the songs at the source. "While You Wait For The Others" Grizzly Bear
"Black Hearted Love" PJ Harvey and John ParishĢ9. "I And Love And You" The Avett BrothersĢ8.
"Stillness Is The Move" Dirty ProjectorsĢ4. "Summertime Clothes" Animal Collectiveġ9. "Knotty Pine" David Byrne & Dirty Projectorsġ4. "The Wanting Comes In Waves/Repaid" The Decemberistsġ2. One thing was clear: that 2009 has been one of the strongest years for new music in recent memory.ġ0. Artists like Gr*zzl* B**r, The D*c*mb*r*sts and N*k* C*s* weren't far behind. In the end, An*m*l C*ll*ct*v* edged out every other artist for both Best Album and Best Song. NPR listeners cast thousands of votes for the year's best music (so far) and kept the race tight.
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